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Whitman's 1855 Leaves of Grass: "hard work and blood" |
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Class and the performative in Rebecca Harding Davis's Life in the iron mills, and Stephen Crane's Maggie |
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Body tramping, class, and masculine extremes: Jack London's The people of the abyss |
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"Aways your heart": class designs in Jean Toomer's Cane |
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Meridel le Sueur's Salute to spring: "a movement up which all are moving" |
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Class, work, and new races: Zora Neale Hurston's Their eyes were watching God and Agnes Smedley's Daughter of earth |
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Class "truths" in James Agee's Let us now praise famous men |
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Whitman's 1855 Leaves of Grass: "hard work and blood" |
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Class and the performative in Rebecca Harding Davis's Life in the iron mills, and Stephen Crane's Maggie |
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Body tramping, class, and masculine extremes: Jack London's The people of the abyss |
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図書
