|
Watching the detective: Sherlock and spoken television discourse |
Kay Richardson |
|
Dealers and discourse: sociolinguistic variation in The wire |
Joe Trotta |
|
"Back in St. Olaf...": regional variation in The Golden Girls |
Jean Ann |
|
SaMANtha: language and gender in Sex and the city |
Kristy Beers Fägersten and Hanna Sveen |
|
The pragmatics explication: making sense of nerds in The big bang theory |
Matthias Eitelmann and Ulrike Stange |
|
Cunning linguistics: the semantics of word play in South Park |
Michael Percillier |
|
Word formation in HIMYM |
Jessie Sams |
|
What's the deal with morphemes? doing morphology with Seinfeld |
Kristy Beers Fägersten |
|
Channel surfing: tuning into the sounds of English |
Kristy Beers Fägersten |
|
Syntax in Seattle |
Güliat Aygen |
|
I'm learneding! first language acquisition in The Simpsons |
Kristy Beers Fägersten |
|
Lost and language found |
Kristy Beers Fägersten and Ilaria Fiorentini |
|
The one based on 738,032 words: language use in the Friends-corpus |
Paulo Quaglio |
|
Watching the detective: Sherlock and spoken television discourse |
Kay Richardson |
|
Dealers and discourse: sociolinguistic variation in The wire |
Joe Trotta |
|
"Back in St. Olaf...": regional variation in The Golden Girls |
Jean Ann |
図書
