|
The Conradian voice |
Albert J. Guerard |
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Gnawed bones and artless tales ; seating and narrative in Conrad |
Tony Tanner |
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Impressionism and symbolism in Heart of darkness |
Ian Watt |
|
Impressionism limited |
Elois Knapp Hay |
|
Conrad and Nietzsche |
Edward W. Said |
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Conrad and Rousseau: concepts of man and society |
Zdzislaw Najder |
|
Conrad and Russia |
Edward Crankshaw |
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Rhetoric and ideology in Conrad's Under western eyes |
Andrzej Busza |
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Speech and writing in Under western eyes |
Avrom Fleishman |
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Narrative form in Conrad and Lowry |
M.C. Bradbrook |
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On editing Conrad |
Kenneth W. Davis, David Leon Higdon and Donald W. Rude |
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Conrad and Pinker |
Frederick R. Karl |
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Conrad and the good soldier |
Thomas Moser |
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Ford's interpretation of Conrad's technique |
Ivo Vidan |
|
The problem of language |
Barbara Kocówna |
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The true birthplace of Joseph Conrad |
Ugo Mursia |
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Conrad's reception in Poland for the last sixty years |
Adam Gillon |
|
The Conradian voice |
Albert J. Guerard |
|
Gnawed bones and artless tales ; seating and narrative in Conrad |
Tony Tanner |
|
Impressionism and symbolism in Heart of darkness |
Ian Watt |