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Foreground, background, drama: the cinematic space of Le mépris |
Ross Exo Adams |
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Godard's apart-ment architectures: the reality of abandonment in Le mépris |
Alice Gavin |
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"O gods . . ." hidden Homeric deities in Godard's Le mépris |
James Wilkes |
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Godard's women |
Nicky Falkof |
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The signature of the French New Wave (Godard's Le mépris) |
Jake Reeder |
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Le mépris and the Hollywood musical |
John Shanks |
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The written and the writing or how Godard's film functions textually |
Elia Ntaousani |
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Pure cinema? Blanchot, Godard, Le mépris |
Oliver Harris |
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Stasis and statuary in Bazinian cinema |
Jonathan Law |
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"Faux raccord": mismatch, noise and transformation in the work of Jean-Luc Godard |
Rob Gallagher |
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Anti-theatricality and gesture as antidotes to the commodification of cinema: Godard's Le mépris and Pasolini's La ricotta |
Elena Crippa |
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"Not necessarily in that order": Contempt, adaptation and the metacinematic |
William Viney |
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"So what am I supposed to do?" : thoughts of action and actions of thought in Godard's Contempt |
Richard Martin |
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In translation: re-conceptualising "home" through Le mépris and its source texts |
Jonathan Gross |
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Producing Prokosch: Godard, Levine, Palance, Minnelli and a lament to lost Hollywood |
Walter Stabb |
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Experimenting with cinema in Godard's Le mépris: the past and the present between possibility and impossibility |
Raphaëlle J Burns |
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Cinema at the intervals of cinema |
Burhanuddin Baki |
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Godard's lingering camera from Le mépris to Passion and back |
Anna Manubens |
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Le Mépris (Jean-Luc Godard 1963) and its story of cinema: a "fabric of quotations" |
Laura Mulvey |
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Foreground, background, drama: the cinematic space of Le mépris |
Ross Exo Adams |
|
Godard's apart-ment architectures: the reality of abandonment in Le mépris |
Alice Gavin |
|
"O gods . . ." hidden Homeric deities in Godard's Le mépris |
James Wilkes |